finale breaks the gender barrier with the debut by this berlin producer. epic atmospheric piano house to techno driven peak time to raw dance floor killers, like finale does it.

oskar offermanns first solo 12inch on white since the infamous apple crumble ep! this beautiful wax is coming along with 3 subtle deep house tracks, which reflect the hours early in the morning when the peak time is already over, and everything calms down on the dancefloor

9 years on from their inaugural release from back in december 2004, saved records have now reached their landmark 100th release. ever since saved001, skylark presents buick project, chancer/drop the beat saved have stood as a benchmark for quality whilst nurturing new talent and pushing the envelope for electronic music as a whole. celebrating the achievement in style, the maidstone based imprint will be bringing together a mind-blowing collection of the labels favourite producers and djs, covering all aspects of the musical spectrum from deep house to peak-time techno and will be available on limited vinyl samplers.

a beat and a bassline: if you have a sweet tooth for what makes the world of dance music go round, stefan goldmann nails it four times in 4x4inch for you.+

gravitas, talib kwelis sixth solo album, began to take shape in may, during the weeks following the release of kwelis fifth solo album, prisoner of conscious. loaded with guests, prisoner of conscious was well received and reviewed, and gained talib many new fans to add to his already large following. however, kweli soon found himself wanting to record more personal material and really document his journey thru music. when singer ryan leslie, who created the platform that kweli is using to sell gravitas, approached him with the idea of selling direct to fan, songs that were just rough ideas began to fully form in kwelis head.

9 years on from their inaugural release from back in december 2004, saved records have now reached their landmark 100th release. ever since saved001, skylark presents buick project - chancer/drop the beat saved have stood as a benchmark for quality whilst nurturing new talent and pushing the envelope for electronic music as a whole. celebrating the achievement in style, the maidstone based imprint will be bringing together a mind-blowing collection of the labels favourite producers and djs, covering all aspects of the musical spectrum from deep house to peak-time techno and will be available on limited vinyl samplers.

9 years on from their inaugural release from back in december 2004, saved records have now reached their landmark 100th release. ever since saved001, skylark presents buick project - chancer / drop the beat saved have stood as a benchmark for quality whilst nurturing new talent and pushing the envelope for electronic music as a whole. celebrating the achievement in style, the maidstone based imprint will be bringing together a mind-blowing collection of the labels favourite producers and djs, covering all aspects of the musical spectrum from deep house to peak-time techno and will be available on limited vinyl samplers.

autoreply music marks the coming of the summer season with a very tidy little 10inch from och. this man recently recorded for baby fords pal sl imprint, gaining support from a diverse range of djing luminaries including zip, sammy dee and efdemin. now the mysterious producer steps up with a big room floor rocker that has been described as ian pooleys >chord memory< meets christian vogel. thunderous drums, hypnotizing chords and a cheeky sample that the old house heads will be sure to recognise make this one for the peak time. claro intelectos warehouse sessions on modern love is regarded by many as one of the most definitive collections of contemporary techno to hit the shelves in recent years. fresh back from remixing depeche mode he takes time out of his busy schedule for remix duties. taking his cues from the warehouse classics that accompanied him through years in manchesters revered clubs like the hacienda, home and paradise factory, he serves up a powerful, stripped down reworking of the original track that is equally suited to sweaty dance floors. fasten your seatbelts.

this vinyl includes all-natural special ingredients that will easily satisfy tech house lovers. daniel gorziza comes with a huge ep: iam your door with a groovy bassline and a rolling synth monster, plus disco fog that its a great start up for every peak time set in the club

khandoits hypnotic 100 bpm stomp does not adhere to genre or fickle trends, it simply bangs. the track begins with a sturdy kick and piano glissandos which recall alice coltranes most transportative work. as the beat picks up, a creeping, filtered arpeggio enters its journey between rhythmic and downright nasty serving as the track s primary drama. its a stunning intro to the new label grimy trax, a musical chameleon that can be dropped at the beginning, middle or end of the night. to complement the epic a-side, grimy returns to the endlessly talented midwest and emerges with lulu, an original track by deejay/edit ace bruce ivery. the track seamlessly combines the chicago acid sound with the clever vocal sampling of early 90s nyc house. the result is pure peak-time heat. towards the end of the track, ivery arranges brief melodic elements into a propulsive disco facsimile. this unexpected turn summarizes the philosophy of the new label and the way this small group of artists selects and makes records. it doesnt matter if its house, disco, or techno, just make it grimy!

repress 2014
tip! 4 peak time tracks from a&s , luis ruiz & label owner jonas kopp. after a long break, the music from the basement editions are back on traut muzik. amsterdam and buenos aires join forces for a record packed with dark, timeless and serious techno. play it loud.

irelands get down edits drop a killer release on disco deviance to kick off 2014 with a bang! the seriously infectious get down blend of disco chuggers and peak time floor-fillers means that they never fail to impress. lovingly edited and beautifully mastered for the contemporary dance floor. we hope you enjoy the music.

jorge c. is not only a great producer (who was also signed by the legendary detroit matrix label), but also label owner of the well known chile based ojo de apolo. jorges music is strongly rooted in detroit deep house, chicago jack sounds and mid-nineties peak time housemusic, but also known to just as easily fuse a wide variety of other styles including dub, experimental electronica, future jazz, nu wave, disco, afro beats & particularly 80ies rare funk. check *love song*, an absolut party firecracker fused with funk elements which really freaked us away. dan piu aka george b. from allstarr motomusic re-worked jorges *jam* song slightly by adding some cool cuts and jazz chords. big shouts to our graphic artist and multi talent popshop, who always delivers 100% quality. pressing on red coloured & marbled vinyl.

subb-an is back with one of the most hyped tracks to land on crosstown rebels in recent times. a collaboration with cedric from azari & iii under new moniker s.y.f (starving yet full), say no more shows the wunderkind producer on a wholly satisfying song-based tip. a killer weapon for any peak-time dancefloor, its a bumpy infectious ride with a wonky edge - steeped in the soul of cedrics vocals rolling over immaculately crafted grooves

welcome to the next adventure of south germanys techno pioneers nico dacido & robin hirte.hara kiri is 4 track floor smasher with underground peak time burning potencial.a must have for all techo djs these days.

with david mayers share of keinemusiks current workparty edition still providing solid fuel for heated clubfloors, he already shovelstwo fresh loads into the furnace. km021 has just surfaced in a moment when electrified techno-music seems to drown in an ocean of preset-dullness. well, mayer has come to provide a rescue tool with his sunhole on side a. youll recognize this somewhat trademark-becoming percussive fetish of mayer as this tracks modus operandi. yet, it has rarely been as detailed and surgically implemented as in this banger. whats that – a second hand ticking? and over there – is it a woodpecker in the field? sunhole supplies all the answers in a thumping, yet no friskiness avoiding manner. youll get a stoically rolling beat, asphalting the floor, to build a cannonproof foundation for thisarrangements main attraction – a filtered and delay-heavy synth-affair.flip around and find a competitive jamboree of subtle background-brainwaves other would straightaway use as lead-ideas for their tracks. well, this matchingly titled lead comes in with a hard hitting kick and gets into the groove via filter-rides to peak into clanking noisy industrial-thunder that immediately will electrify every steel-toe in hearing range. generally - only roughness in this cut, crispy bounce and ghostly whispers all over. most definitely for the win, this double broadside.

the zurich-based definition:music has really been on a roll of late, with originals and remixes by with originals and remixes by darius syrossian & hector couto, reboot, sidney charles and josh butler (among others), really stetting the label on their way to success

nef nunez (sole channel/s.e.e.d. recordings) joins ican man esteban adame for peak-time house & label head santiago salazar adds 2 remixes. road tested at panorama bar, tresor, monkey bar, sub club, etc.

another killer 3 track from moton where they do things different! peak time, looped up & fully charged - dim (love the outro) furious strumming 80s punk house - homo (my fav right now) & smooth out class - catsup. will be getting hammered as of now

fast making his way on the underground circuit, rising star samu.l is back onboard one records home ground delivering his first single release for the label with the entrancingly dark and driving monster *invitations*. rolling with effortless groove and an all encompassing depth in the atmospherics, this is essential dj weaponry perfect for the late hours or early morning. warmly welcomed to the label we see the highly talented martin buttrich conjure up a powerful remix true to his distinct style, with a grumbling bassline and sonic force that will undoubtedly dominate any dance floor at peak time, complemented with a raw and chugging dub version to complete the ultimate package.

ahead of the deliriously deep and rhythmically complex debut album >face to face (out in november on serialism), phillippe quenum aka quenum first displays his rich, dynamic and sometimes soulfully melancholic sound across a teaser ep featuring two album tracks plus a tough yet shimmering remix from the ever classy and timeless, cassy. lead track >face to face< pulses with raw, rumbling bass as hard claps accent an unfettered groove scattered with delicate sonic nuances and a powerful vocal sample. from peak time to sunrise, >5 am< is an ethereal electronic voyage, with softly woven beats, rippling synths and melodic keys.

mmx303 is almost ready, and we are so proud to deliver this amazing release of mituo shiomi on our macadam mambo trax series. this japanese producer has already released a brilliant ep on hotmix records last year with takeshi kouzuki. his music is very special, a kind of >lo-fi chicago house<, sometimes very raw, sometimes very poetic. here we have got all the styles, two strong floor burner with pierce and peak meter, and two beautiful atmospheric tracks with fine female and good morning mr. ear. be certain that mituo is definitively the guy to follow for the next

hamsa intenational are hitting us with some obscure and analog live jams for club use only. rigid grooves that transform subtly by the use of frequency cuts and vocal chops make bodytalk an interesting lo-fi sounding yet energetic jam for peak hours and after. the analog warmth thats filling up the speaker cans comes straight out of old machines and a tape recorder.

this year sees dj uchikawa celebrate 30 years in music. in that time he has been a driving force in japan for quality soulful music from jazz through to techno, tirelessly working to push, promote and support the scene.finally, earth song sees uchis original groove laced with a killer guitar workout from hideki ikeuchi, completing the package.

for their sixth release, lets play house has headed down under to scoop up australias fantastic man, a second identity of dj/producer mic newman, with which the melbourne-based artist explores-and exposes-another side of his musical and stylistic skills. and the four original songs on the its essential ep most definitely mark a bit of a departure from newman’s trademark sounds: he has exchanged the thumping, peak-hour, hands-in-the-air chaos and messiness of hits like 2009s *sizzled sally* for a more refined and subtle breed of deep house.

one of the rarest and most sought after nigerian records is now finally reissued in beutifully remastered sound and with its original artwork.the amrtin brothers were the backing band on the pax nicholas & the netty family album and not only recorded as the tabansi studio band but also as saxon lee & the shadows international. this record presents them at their artistic peak. a solid listen throughout, this is not just another african reissue but an incredibly deep and mature album that stands its ground amongst the best funk and soul jazz albums world wide.

new kanada presents three cuts from grazes forthcoming album, *edges*, pressed on 180g vinyl. *skip/crush* leads the 12 inch and is a mood-changing, chord-heavy broken house track. pounding toms, razor fine melodies and strutting with a heavy swing. *ripley* goes deeper and more hypnotic, with a low slung bassline, vocal manipulations and and a rugged dusty groove. *airror* closes the release on a bittersweet note, wounded ecstatic synths collide with epic drum programming for an alternative take on peak-time. european manufacturing.

kaiserdisco start the single with el tiburon that has a pulsating bass line, which isnt for the feint hearted. this peak time stomper uses a melodic synth and unusual synth effects to create the building atmosphere before it kicks back into the throbbing beat.

124black is the new sub label from 124 recordings with the aim of promoting a darker, harder sound firmly rooted in the underground. all releases are strictly limited and available only on 10 inch translucent vinyl. first up is jacob b, rapidly gaining a lot of recognition for his deep and chunky club cuts, aptly demonstrated on >basement crowd< with solid drums, suspense filled strings, a spoken word vocal and a bassline that shows you exactly where the title of this track comes from. next is another 124 family member, liam geddes late night jam, >somebody in the house<. with its haunting stabs, groovy baseline and snare rolls, this a simple, yet very effective track that works equally as well in a small club or large warehouse! on the b-side, cecil returns to 124 with >bv< a track very much aimed at the dancefloor and replete with the producers signature deep stabs and chords, that work alongside a sub bassline that you feel rather than hear. a peak time track...

bomb! one of the best fellas who constantly burning down floors with his peak time monsters got remixed by the cream of techno. there are no more words needed!

october will see mock & toof release *temporary echoes*, an eclectic collection of remixes from their highly acclaimed albums *tuning echoes* & *temporary happiness*, featuring interpretations from the likes of wolf & lamb, kink & neville watson & dmx krew.
to accompany the album release there are two very limited vinyl samplers. vol. 1 features wolf & lambs amazing remix of *shoeshine boogie* never before released on vinyl, a brand new remix of m&t favourite *day ken died* from norways skatebard, a peak time acid banger from kink & neville watson and a new balearic rendition of *snowball* by young marco (esp institute). proper vibes.
vol. 2 features remixes from the l.i.e.s outfit sling & samo, tiago & call super.

hot fire! large music strikes again with large wax 5 highlighting four terrific tracks all drenched in groove and soul. uk based artist leigh d oliver gets things started with a sparkling remix from max graef and is followed up by roland nights with the bluesy feel of the shake. side b features a heavy peak time workout from steve mill and closes with pure melodic deepness from irelands deep future.

limited available in a nice pack, material028 / materialx002 (one-sided) and materialx006 feat. mihalis safras & mark broom & jordan peak and remixes by paul ritch & danilo vigorito.

we are back with the second vinyl edition solid ep this time we have istanbuls finest techno dub master and co-founder of sublime porte, ismail genc (havantepe, raw, devante) he provides us with 2 original track and we have two amazing remixes from saso recyd and s.eelzi.
the original tracks solid and east are a perfect mixture for, ranging between gently moving sounds, pulsating structures, deeply touching melodies, playful minimalism, and proper dub techno ... the remixes maintained their focus on the dancefloor, every version has its own special touch recyds version could be described as harmonious tech-house, creating a special mood with lots of synths and strings. headhoncho elezi created a rhythmic remix with shuffle beats melodic baseline wicked groove that will work in any peak time.

vinyl only! the next generation of dutch house producers is here. de sluwe vos drops a heavy house hitter on the new soulfood label. including a montell remix. de sluwe offers a nice contemporary version of classic peak time tracks rooted in the 90s club house and (uk) garage tradition. fresh, sexy and ballsy house music that will maintain its essential and funky edge ten years from now. soulfood the new home of house in pure, raw and uplifting form.

oneoffs volume 3 offers just like the previous volume four new cuts from four different producers. first up we got swedish producer jonas rathsman and *yes i am*, a lush deep house track that is both heartfelt and sublime. let it breathe on a large sound system for maximum effect! ending the a-side is duo twinpeaks funk-fuelled ride *not that tech house - dj tool dropped by paris hilton you were searching for*. a track that would fit right into any peak time set, even by paris hilton. want from pixel82 is a punchy track with its scattered synth chords, jerky hats and a thick groove followed by *life is a gamble* where jesse futerman takes us on a soul inspired journey of deft sample manipulation

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

sims & degiorgio follow up the success of machine 01 with another showcase of blistering modern techno and uplifting electronic bliss. strike aims straight for peak-time with a driving, trademark sims rhythm that only he knows how to pull off. degiorgios remix keeps it tough but adds some subtle elements in keeping with his soulful approach to music-making. degiorgios own *guardian angel* is another in his series of uniquely harmonic techno tracks that has no equivalent in dance music. another major statement from the number one techno event around. machine.

slamming techhouse / deep house groover

oliver & tim are known as soloartists in the world of warm beats. tocotronic once more: >we had a few words with them. from there we determined that we like it around here.< a full-throated studio session all together brought about the maxim: let there be house!

another big one form the moods & grooves files. the detroit label digs up the massive peak time bass driven house track by g flame & mr g track..

gutts are a jaded wrestling double act that were much celebrated in the golden era of uk wrestling in the 1980s. after a slow-decline into inactivity and relative obesity they decided to make a comeback in 2013 as an electronic music band called gutts. both neil landstrumm and alan hostage have recently reached peak-fitness through circuit training and eating salad for dinner, toning up for this new heavy-hitting vinyl release on glasgows horror boogie. both were last seen, exiting landstrumms analogue graveyard shouting *not the ears, not the ears* and *i demand to be treated like a sultan*. no further details were available at this time.

vitalik recordings welcomes sam russo to the ranks with the rather fantastic vanishing test ep. sams production skills defy his years, his style defined and his sound signature. his trained ears have been sought after by the likes of craig richards, matt tolfrey and huxley in recent studio collaborations. his music is non-categorical genre speaking however his influences permeate his music, dub and bass play key roles, darkness and light coexist in a dynamic juxtaposition, bright expansive pads soar over rumbling kicks and moody bass lines.

gary beck never disappoint if it comes to peak time techno. 3 raw and dirty tracks with a delicate flavour of funk.

real house master phil weeks makes his debut on guy gerbers supplement facts imprint with a trio of dancefloor bombs packed with his signature bump, funk and bass. title track sharks looking for fishes is a fuzzy, warm affair with warping pads and shimmering cow-bells building with dusty samples combined with a jacking bassline. on the b-side bees assault is pure heads down techy business, unhinged and driving its the peak time banger of the release and an assault on the senses. lastly, hold onto the memories brings back the french deep touch with another solid jacking groove and faded vox.

west midlands pair ultra knites touch down with the debut release on their own eponymously titled label. got to release has already been described as a future classic with its distinctive warm pads, vintage bassline and vocal hook while ny sleazd is the choice track for peak time dancefloor destruction. the b side takes things deeper underground providing variety with two more chord driven cuts, flanged synth stabs and harmonised basslines. all delivered on heavyweight 180g vinyl

after a bit of a hiatus, roots unit return with some deep house hybrids from their bulging vaults. learn to love is a melodic dub-house / techno infused big sound system warmer that comes from a studio session with former 2 lone swordsman keith tenniswood and will be familiar to those who tune into tim sweeneys beats in space show on the regular. morning sequence is a lovely early morning hypnotic slinky electronic house jam that gets under your skin and into your mind. this latter track is mutated into a heavy floor filler by mark e in full on peak time mode.

the vinyl includes 3 original tracks characterized by raw techno sounds and solid atmospheres. on the a side sonic mood produced alongside his friend piegaja, is a massive peak time tune with an unexpected twist within the break to create a unique experience

lph whites second offering picks up where the first one, by waze & odyssey, left us. that 12inch featured a remix by london-by-way-of southern-california house up-and-comer, urulu, who produced all four of the tracks included on this ep. left coast is an ode to taylor freels home turf, but dont think its all blissed-out balearic burners one might listen to while rolling down a palm tree-lined stretch of the pacific coast highway. every one of the four songs is a cranked-up, high-octane, peak-hour monster